WILDFLOWERS

07.12.2019 - 18.01.2020

 

Year-end group salon in aid of Ilitha Labantu, celebrating the diversity, beauty and resilience of women.

Opening Saturday 07 December 2019 at 11am.
Concludes 18 January 2020 at 2pm.

Exhibiting Artists:

Adele Van Heerden
Alexia Vogel
Amber Moir
Andrew Sutherland
Berry Meyer
Black Koki
Bruce Mackay
Chloe Townsend
Craig Smith
Emma Nourse
Gitte Moller
Heidi Fourie
Jade Klara
Jean de Wet
Jeanne Hoffman
Jessica Bosworth Smith
Joh Del
Katrin Coetzer
Katrine Claassens
Kirsten Beets
Kirsten Sims
Lara Feldman
Lara Meintjes
Laurinda Belcher
Lili Probart
Maaike Bakker
Mareli Esterhuizen
Marolize Southwood
Mona Haumann
Nicole Clare Fraser
Patricia Fraser
Paul Senyol
Sarah Biggs
Tara Deacon
Zarah Cassim

Since our gallery was established in 2008, we’ve maintained the tradition of hosting our annual December show, held in aid of a local charity, whereby 10% of all artwork sales have been donated to our chosen cause. This year we’ve decided to support Ilitha Labantu, an organisation which was started in Gugulethu, Cape Town, during February 1989. At that time it was the only organisation in any township of Cape Town providing emotional support, practical advice and education around the serious issue of violence against women.

Visit their website for more information.

PREVIEW:

ENTROPY

28.09 - 26.10.2019

GROUP EXHIBITION

BRUCE MACKAY. HEIDI FOURIE. JEANNE HOFFMAN. PAUL SENYOL. TENDAI MUPITA.

ARTWORKS:

BRUCE MACKAY

 

HEIDI FOURIE

 

JEANNE HOFFMAN

 

PAUL SENYOL

 

COLLABORATION. BRUCE MACKAY AND PAUL SENYOL

 


INSTALLATION VIEWS:

HELIOS

30.10 - 30.11.2019

Solo exhibition by Kirsten Beets

Concludes 2pm on the 30th of November 2019.

 

Text: by Natasha Norman

Hot on the heels of a sell-out exhibition at Sydney Contemporary Art Fair, Kirsten Beets presents Helios, her fifth solo exhibition with Salon Ninety One. Drawing on her interest in Classical studies, Helios explores the contemporary Southern Hemisphere summer holiday, a time imbued for Beets with a mythological quality.

In the South, the summer marks the end of both the school and calendar year. Hot and listless, time is elastic during warm days spent sun bathing, swimming or snorkelling. The idyllic nature of the season, characterised by a sense of ‘lazy-days,’ imbues memories with a rose-tinted recall. The fickle quality of memory is explored in Beets’ careful play between loose, abstract marks and photo-realism that create a thoughtful tension between accuracy and ambiguity. The soporific effect of heat that saturates experiences at this time of year, manifest feelings of carefree enjoyment and a respite from responsibilities. Beets invokes these qualities in her works through colour and content, creating compositions that conjure these feelings from the perspective of Helios – the ‘all seeing eye’ - worshipped in the older pantheon of Greek Gods for his omnipotence as well as his role as sun bearer.

For Beets, the summer months in Cape Town have always seemed a golden time in her childhood. But on the fringes of all this leisurely sun-worshiping she infers a latent threat to the carefree safety of it all. ‘Don’t Get Too Comfortable,’ ‘Heartbreak Summer’ and ‘Electric Summer’ are works imbued with a reflective glance at the impermanence and transient nature of these experiences. Protective fences ring carefree pool bathers while leopards stalk garden foliage and volcanoes threaten to erupt on the horizon (a tongue-in-cheek nod to the fate of Pompeii). Helios also includes subjects from Beets’ previous solo exhibitions with Salon Ninety One as well as a new series of small, spontaneously executed oil paint sketches which she describes as the melted versions of final canvases, providing an energetic edge to the more meditative nature of her larger canvases. Throughout the exhibition Beets carefully employs the symbolic and mythological language of her subjects to reflect upon summer as a space of only transitory hedonism.

ARTWORKS:

INSTALLATION VIEWS:

MANGO FARM

21.08 - 21.09.2019

A solo exhibition of recent paintings by Zarah Cassim

“These (painted) images include stories of my grandparents in India and mango farms. They are an attempt to retrace my heritage through exploring old family photographs and stories told by my elders; the only sources for claiming a history for myself, as the surname I bare (Cassim) was given to my family by the South African apartheid regime, and the original family name, and it’s history, was lost.”

The Artist’s dreamlike jungle landscapes are explorations of a heritage and history, which both does and does not exist, put together by fragments of memory and storytelling. Mango Farm reflects on the notion of a constructed history

ARTWORKS:

 

SYDNEY CONTEMPORARY ART FAIR

Sydney Contemporary Art Fair 2109

12.09 - 15.09.2019

Salon Ninety One was proud to be a part of the fifth edition of the Sydney Contemporary Art Fair at Carriageworks, Sydney, Australia.

We have took a very playful approach to scale, colour and installation within our SCAF 2019 booth, characteristic of Salon Ninety One gallery, our Artists and our aesthetic. The Gallery Booth A01 featured the work of Salon Ninety Onesignature artists, Kirsten Beets, Paul Senyol and Kirsten Sims. In addition to our featured booth Artists we were thrilled to be representing the work of Amber Moir at NEXT, a group exhibition platform with works from around the world carefully selected by the SCAF team.

KIRSTEN BEETS paints our contemporary Eden. Her paintings inhabit a place somewhere been the real and imagined, a painted mythology that explores ethical realities. She is continually looking at the shifting relationship between people at leisure and the natural world. She isolates the moments of these interactions, sometimes as immersive images other times as curious objects suspended in the picture plane. Snapshots of our curious human interactions with natural environments are all rendered in delicate detail. Her works are complex collections of observations and imaginary musings made manifest in oil paint on paper, board and linen. Her carefully considered compositions tell a subtle story of serenity and loss, leisure and decay, stasis and transience.

KIRSTEN SIMS expresses the way she views the world through painting, seeking a connection with viewers through images. Her work has a strong narrative quality and is often animated by a sartorial crowd of characters, but she just as naturally replaces the theatre of human interaction with the drama of a natural landscape. Whether familiar or imagined, place plays an important role in her work. She lives and works in Cape Town but the vista she has painted most is the ocean view from her family home in Mossel Bay, South Africa. Sims completed a BA in Applied Design at the Stellenbosch Academy and her Honours degree in Illustration at Stellenbosch University. She currently works on editorial and commercial illustration projects while exhibiting her artworks both locally and internationally. Sims paints with a combination of inks, acrylics and gouache on museum board.

PAUL SENYOL is an abstract painter who reflects the details of everyday life, paired down to an empathy with colour, line and form. His work is a crafted response to his wonderings through various spaces. The colours and textures of urban and natural environments inform his spontaneous practice in the studio where every material he uses – acrylics, pastels, ink, pencils and spray paint - is chosen for the particular mark it can contribute to a finished composition. Senyol has been studying art and the mark since his fascination with skateboarding magazines as a teenager in Cape Town. Skateboarding emerged as a gateway to early creative works on the street and remains an important part of Senyol’s experience of urban spaces. He makes regular visits to the public library to source graphics, album covers, magazine layouts and illustrations. Senyol’s unique visual language is founded on the inevitable change and flux in environments. His works are testament to the translation of experiences into form.

AMBER MOIR's unconventional approach to making her watercolour monotypes explores and reconstitutes the limitations of traditional printmaking techniques. Moir’s large works are the result of the intensely physical and unpredictable process of printing with a manual pitch roller. She says of her method: “The challenges within my process create space for the works to acquire greater meaning and be more successful than if it were predictable and easily controlled”. Original paintings are impressed onto calico, creating a confluence of painting and print. Gashes, strips of folded fabric and uneven printed surfaces serve as visual cues of the presence of Moir’s body in her process. Moir graduated from Stellenbosch University with a degree in Fine Arts in 2014. She has worked from Cape Town, South Africa since returning in 2017 from two years of living and teaching on Kyushu Island, Japan.

Beets’ background in 3D rendering, Sims’ formal training as an illustrator and Senyol’s formative years as street artist have come to influence their personal visual language, ensuring an interesting conversation between their diverse works within the walls of the Salon Ninety One booth and the greater context of the fair itself. Their work has shown significant growth, with the artists takings risks, in refining their techniques and pushing the boundaries of their chosen medium. Paul Senyol was the first artist to ever exhibit with the gallery, Kirsten Beets and Kirsten Sims have been showing with Salon Ninety one for eight and seven years, respectively. Amber Moir recently held her first solo exhibition with our gallery and is known for her monotypes on paper and fabric, printed by way of a highly energised and physical process utilising a pitch-roller in order to create these unique works.

We look forward to sharing our Artists latest works with new collectors from Australia and Asia.

Should you wish to receive a catalogue please contact enquiries@salon91.co.za

If you are visiting the fair and need to reach us telephonically we are available on Whatsapp only +27 82 679 3906

Please note that this collection is available exclusively from the Sydney Contemporary Art fair, Australia.

ARTWORKS | NEXT PLATFORM AT SCAF 2019

AMBER MOIR

 

ARTWORKS | BOOTH A01 SCAF 2019

KIRSTEN BEETS

 

KIRSTEN SIMS

 

PAUL SENYOL

 

INSTALLATION VIEWS

 


 

LINKS RELATED TO THIS EXHIBITION:

Article | The Guardian | "Sydney Contemporary 2019: Australia's largest art fair scales it down"

 


 

REGARDING WINTER

12.06 -13.07.2019

A mid-year group show

We are delighted to be sharing works by our regular Salon Ninety One favourites, extremely talented associated artists, as well as some exciting new signatures. Participating artists include: Alexia Vogel, Amber Moir, Andrew Sutherland, Chloe Townsend, Gabrielle Raaff, Heidi Fourie, Jade Klara, Katrin Coetzer, Katrine Claassens, Kirsten Beets, Kirsten Sims, Lara Meintjes, Laurinda Belcher, Linsey Levendall, Mareli Esterhuizen, Michael Amery, Natasha Norman, Nicole Clare Fraser, Paul Marais, Paul Senyol, Rico, Sarah Biggs, and Tara Deacon.

ARTWORKS:

 

ALEXIA VOGEL

 

AMBER MOIR

 

ANDREW SUTHERLAND

 

CHLOE TOWNSEND

 

GABRIELLE RAAFF

 

HEIDI FOURIE

 

JADE KLARA

 

KATRIN COETZER

 

KATRINE CLAASSENS

 

KIRSTEN BEETS

 

KIRSTEN SIMS

 

LARA MEINTJES

 

LAURINDA BELCHER

 

LINSEY LEVENDALL

 

MARELI ESTERHUIZEN

 

MICHAEL AMERY

 

NATASHA NORMAN

 

NICOLE FRASER

 

PAUL MARAIS

 

PAUL SENYOL

 

RICO

 

SARAH BIGGS

 

TARA DEACON

INSTALLATION VIEWS:

AS YOU WERE

17.07 -17.08.2019

A solo exhibition by Kirsten Sims

 

i am of the earth
and to the earth i shall return once more
life and death are old friends
and i am the conversation between them
i am their late-night chatter
their laughter and tears
what is there to be afraid of
if i am the gift they give to each other
this place never belonged to me anyway
i have always been theirs

- rupi kaur
the sun and her flowers

 


 

ARTWORKS:

INSTALLATION VIEWS:

THE DISTANCE FROM AFAR

28.04.2019

SALON NINETY ONE in association with Glen Carlou is proud to present The distance from afar.

Venue | Gallery @ Glen Carlou

Exhibiting Artists | Cathy Layzell, Gabrielle Raaff, Heidi Fourie, Kirsten Beets, Mareli Esterhuizen, Natasha Norman, Nicole Fraser, Paul Senyol and Zarah Cassim.

PREVIEW:

RAVINE

09.05 - 08.06.2019

A exhibition of paintings by Cathy Layzell

CATHY LAYZELL investigates humankind complex evolving relationship to nature, where an impulse to shape, tame and control the natural world lives alongside a desire to yield to its wildness and danger. Working in a gestural and abstract style, her vivid atmospheric oil paintings use a number of recurring motifs, taken from nature. They contain a remarkable color sense, where swathes of pigment-loaded brushstrokes are placed over thinner washes of layered color creating an illusion of color and light. She compares her act as an artist to that of a gardener and tries to strike a balance between spontaneity and calculation, wild abandon and thoughtful deliberation. From 2003 to 2007 Layzell was a returning Resident Artist at the Painting School of Montmirail in the South West of France (near Toulouse). She studied at Rhodes University and completed a post-graduate diploma in Fine Art from Michaelis School of Fine Art in 2013.

ARTWORKS:

INSTALLATION VIEWS:

INVESTEC CAPE TOWN ART FAIR 2019

15.02 -17.02.2019

SALON NINETY ONE | BOOTH B10 | CAPE TOWN INTERNATIONAL CONVENTION CENTRE (CTICC)

ARTISTS | Amber Moir. Cathy Layzell. Heidi Fourie. Katrin Coetzer. Kirsten Beets. Kirsten Sims. Linsey Levendall. Maria van Rooyen. Natasha Norman. Paul Senyol. Zarah Cassim.

ARTWORKS:

AMBER MOIR

 

CATHY LAYZELL

 

HEIDI FOURIE

 

KATRIN COETZER

 

KIRSTEN BEETS

 

KIRSTEN SIMS

 

LINSEY LEVENDALL

 

MARIA VAN ROOYEN

 

NATASHA NORMAN

 

PAUL SENYOL

 

ZARAH CASSIM

 

INSTALLATION VIEWS

 

 

DRIFTER

03.04 - 04.05.2019

Solo exhibition by Andrew Sutherland

"Drifter is about a character that doesn’t settle, he wanders, and that wandering is within painted spaces of pure imagination. The idea of pristine, untouched natural spaces remains a pertinent part of Sutherland’s imagination in this fifth solo exhibition with Salon91. In his paintings, that idea of pure landscape is able to exist, allowing an experience of self, removed from social or cultural trappings and attachments. The artist’s own feelings of awe within natural environments are pertinently expressed through his signature single figure dwarfed in the landscape.

Sutherland’s character moves without anchor through various spaces. These are geographically diverse and include forest, beach, lake and mountain. Sometimes he comes across the residue of habitation: a shelter or a dwelling, but for the most part the series imagines the uninhabited in a state of dreamy and perfect calm. Within popular imagination the drifter is a person without permanent place. Like the troubadour or travelling poet of medieval times, the contemporary drifter is a traveller without a determined destination. The quest for experiences, new sights and adventure fuels an existence without attachment or permanent temporal impact. It is an idealized state appropriated by many social philosophers and storytellers like Herman Hesse to comment on the accepted conventions of contemporary society. The viewer, like the drifter, is invited to move smoothly through temporal experiences of place that enable them to approach the spiritual.

Drifter will feature Sutherland’s new oil paintings and monotype prints. This shift in medium is an exciting new territory for Sutherland, enabling him to forge a new relationship with the painted surface in his particular fascination with the encounter with landscape."

For any enquiries, please contact the gallery on 021-424-6930 and enquiries@salon91.co.za

ARTWORKS: